In this exceptional year where many families won’t be able to get together, gift wrapping takes on a special importance. I have brainstormed a lot to figure out a packaging that would be both easy on the environment yet elegant. All the materials are based on recycled paper, and personalised as needed by printing the logo with compostable inks. I also include a card, just pop me an email with the text and I will be happy to hand write it for you!
Nuishibori is a name used in Japan for all reserve techniques where stitching and tying is involved. It is a fascinating world I am starting to explore, and I find that applying it to our typically French fabrics created a wonderful cultural melting pot. Stitching and tying the fabric. depending on the pattern the stitches are more or less far appart, but it always involves a considerable amount of stitches and knots per square meter of fabric. Indigo dyeing the tied bundles Some finished fabrics… bliss!
In the world of natural dyes, indigo has a place on it’s own. Unlike other dyes, it does not need mordanting and can be applied to the fabric straight after scouring. However, it is still very labour intensive, and patience is still of essence here. The dye is applied by layers, dipping the fabric repetitively, and oxygenating it between the dips to allow the indigo blue to appear and intensify with every subsequent dip. One of the many things that we learned during our 10 day advanced course at Buaisou, in Japan, is to rinse and fix the indigo. It might sound like a simple thing, but careful manipulation of the fabric during those steps is paramount to the final effect. The rinsing process involved several cold and…
Itajime shibori is another reserve technique used to create patterns. This time the fabric is folded and pressed between two pieces of wood. The folds, along with press placement, lead to a variety of patterns. I am always in awe with the magic of those geometric creations when unfolding the fabric, it’s the best time!! The fabric is carefully folded and clamped between two wood presses A number of dips in the indigo vat are necessary to obtain the required depth of colour. Between each dip, the fabric is patiently oxygenated by opening up each fold. It is then rinsed and the process is repeated After unfolding… Bliss!
The Arashi pattern is created by tying a piece of cloth very tightly around a cylinder and then crumpling down the fabric to form little creases. It is one of the numerous reserve techniques used in Japan grouped under the shibori term. The tradition was to use a very large bamboo section in Japan, but here, we make do with PVC tube. The fabric is dyed in the indigo vat, several bath separated by oxygenation and rinsing are necessary to achieve the desired tint. After the 3 days long process of rinsing and scouring, the fabric is put to dry. The word Arashi means lightning, but to me the pattern evokes water, with an infinity of ideas for it’s future use around the house and body..
A sublime exhibition at the Musee Guimet in Paris, an endless source of inspiration as all her creations where based on naturally dyed, hand made fabrics, dreamy indeed! The exhibition opens with traditional Korean costumes, all recreated by the Korean stylist. Most women’s clothing feature the Hanbok, a very short and elegant short top, emblem of Korean traditional costume. Even the farmers had extremely elegant clothing.. In this very hot and humid climate, those bamboo vest and fore arm bands where used against the skin, underneath clothing, to prevent them from sticking to the skin and leaving a layer of air to ventilate the body… The second part of the exhibition features Lee Young-Hee’s creations.
A very peculiar Easter this year, in surreal isolation, but plenty of photo opportunities for Mei Line’s catalog with a glorious weather.. This year, we vowed a zero waste easter: we will eat every single egg the bunny will bring us.. Table cloth and cushion: block printed campeche dyed linen. The indigo shibori-covered basket is the perfect recipient for a lovely egg-crop Happy Easter y’all! Keep safe!
Another perl in our awesome trip organised by @leafLuberon around the indigo course at Buaisou Set in the former house of a major indigo merchant, this museum traces the history of indigo production, and use: from seed to fabric. The exquisite miniature scenes are a moving testimony or the hardship endured by people working in that trade. Indigo seedlings are protected from pest at night with straw panels They are pulled out and transplanted in between wheat rows, wheat protects the young seedlings from the strong sun Wheat is than harvested, leaving only the indigo to thrive Fertilisation The indigo is harvested and the leaves are cut and separated from the stem The indigo leaves are dried and made into Sukumo, a leaf compost, which is than used…
Some pictures of a week long course in vegetal fabric dying at the prestigious Couleur Garance school, see website here And back home, at the studio:
The lavender field at la Baye des Anges, is the source and inspiration for the lavender pouches production. We planted this field in 2013, and ever since the first crop, we have been enjoying the powerful fragrance all over the house.