Tegumo shibori is a type of tied resist developed in Arimatsu, Japan, where I had the chance of training with master Kuno-san from Kuno Studio (see blogpost in process here) During the Edo period, the busy Tokaido route saw the flourishing of trade. Arimatsu’s specialty was Yukata fabric, and the cotton was predominantly dyed in indigo, with various shibori patterns. Please check the «Sur la route du Tokaido» blogpost for Hiroshige’s etchings of the route, with beautiful illustration of many shibori patterns. A few pictures and a video of the tegumo shibori process of tying a series of cones, which once, untied after dyeing, reveal a rhythmical yet always different pattern. https://www.youtube.com/watch?v=2onyhyX2pbI
Etiqueta: Indigo vat
Upcycling
It all started as a whim, a wish to cover up a stain on an old favourite linen skirt… and it ended up being a great idea! Soon, one of my clients was asking me to upcycle her lovely white linen dress. Upcycling beloved items of clothing to cover up stains, or defects, or just to glamour them up, gives a new life to quality items of clothing made of natural fibres. I have a small stock of organic cotton t-shirts and linen scarves to create some of the shown products, but you are welcome to send me your item to upcycle. A selection previous orders, all pictures are linked to the relevant item
More shiboris
A fun shooting on the stone stairs of our place in Vaison-la-Romaine, in the heart of the medieval town, where I open the showroom upon appointment. All photos are linked to their respective product or category By the pool at La Baye des Anges where I dye the linen fabric for the pool loungers and the table runners for the pool dining area Also at La Baye des Anges, a set of placemats that turned out to be an instant hit for our epicurean friends While in the garden, the day bed is pilled up high with the latest in antique hemp and linen cushions at the Atelier inauguration
Bye Marseille
Teñido de índigo
En el mundo de los tintes naturales, el índigo tiene un lugar propio. A diferencia de otros tintes, no necesita mordante y se puede aplicar a la tela inmediatamente después de escudriñar. Sin embargo, sigue siendo muy laborioso, y la paciencia sigue siendo esencial aquí. El tinte se aplica por capas, sumergiendo la tela de forma repetitiva, y oxigenándolo entre las inmersiones para permitir que el azul índigo aparezca e intensifique con cada inmersión posterior. Una de las muchas cosas que aprendimos durante nuestro curso avanzado de 10 días en Buaisou, en Japón, es enjuagar y fijar el índigo. Puede sonar como una cosa simple, pero la manipulación cuidadosa de la tela durante esos pasos es primordial para el efecto final. El enjuage se hace durante 3 dias…
Itajime shibori
Itajime shibori es otra técnica de reserva utilizada para crear patrones. Esta vez la tela se dobla y se prensa entre dos piezas de madera. Los pliegues, junto con la colocación de la prensa, conducen a una variedad de patrones. Siempre estoy asombrada con la magia de esas creaciones geométricas al desplegar la tela, es el mejor momento!! La tela está cuidadosamente doblada y presionada entre dos prensas de madera Para obtener la profundidad de color requerida es necesario realizar una serie de inmersiones en la cuba de índigo. Entre cada inmersión, la tela se oxigena pacientemente abriendo cada pliegue. Luego se enjuaga y el proceso se repite Después de desdoblar… ¡Felicidad! https://www.youtube.com/watch?v=wQ-J9QKuRCI
Back from Tokushima
In Septembre 2019, along with a group of fellow natural dyers conducted by Leaf organisation (now Tinctoria), we had the incredible chance to attend a 10 day class at Buaisou where along with putting together a Sukumo based indigo vat, we also practised several traditional Japanese techniques to create patterns. The result of this, was over the next year, a mountain of cushions and table runners in many different patterns of indigo shibori. All photos are linked to their respective product or category
Buaisou: advanced indigo dying and reserve techniques course
A 10 day training organised by @leafluberon in Tokushima, Japan, at the @Buaisou-i workshop. An eagerly anticipated trip which went way ahead of my expectations. Filled with people passionate about indigo, natural dying practices, sustainability, life and slow fashion; it was an experience I will treasure for the years to come! You can also find out more about this experience on the Mei Line instagram account @Mei.Line.Design @Buaisou-i is an indigo dyeing workshop and slow fashion creator but also an indigo farmer: the concept is «From farm to closet». On top of the indigo dying and reserve techniques, we learned about the traditional Japanese indigo vat making named Aidate. We also visited several local workshops all rooted in local traditions but with a very modern edge that seriously…