Catégorie : Teinture vegetale

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Shibori-zome, Kuno Hiroaki

Part 3 of a 3 parts training trip to Japan by Tinctoria, November-December 2023 I had the chance of meeting Hiroaki Kuno a few years ago when he came to train us in shibori-zome over a week-end at Couleur Garance. As you those who have been following my work would know, I have since then been extensively practising shibori with natural indigo. With ample occasions to realise how hard it is to get even the « simplest » of these techniques right. Shibori-zome includes an endless variety of reserve technique to produce pattern on fabric when applied before dyeing. Traditional patterns where executed by persons with infinite dexterity and infinite patience. Knot by knot, stitch by stitch, fold by fold, the fabric is crumpled into a much smaller bundle before being…

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Kusaki Kobo, Dr Kasuki Yamazaki

Part 2 of a 3 parts training trip to Japan by Tinctoria Dr Kasuki Yamazaki is a natural dye Professor at the Art and Design University in Yamagata. He has dedicated his life to the research and teaching of ancient Japan’s traditional colour aesthetics and dye techniques. This was a four days intensive training, where we unlearned just about everything we new about mordants to learn Kusakizome – or natural dyes the traditional Japanese way – with Kasukisan, his son Hirokisan and the magical team of fairies who made this very dense class possible in such a short time frame. We used the plants which have been part of Japan’s elite clothing for centuries. Thanks to Kasukisan’s in depth knowledge of both practise, botanic and chemistry, we where able…

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Beni Itajime, Mrs Yoshimura

Beni Itajime

Part 1 of a 3 parts training trip to Japan by Tinctoria We where very fortunate to discover and practise a near extinct reserve technique: Beni Itajime. While the « classic » Itajime technique using two wood block to apply pressure on fabric to create a resist while dyeing is a very common technique nowadays, it’s much more sophisticated version using engraved wood blocks would have all but disappeared without Mrs Yoshimura’s determination and vision. Her family had been the unique depositary of that exclusive technique outside of Kyoto, and she made sure to keep it alive and share her knowledge. She toured us through her treasured collection of kimonos with Beni Itajime linings. It could sound quite odd to us westerners to keep such a fabulous fabric where the…

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Buaisou: advanced indigo dying and reserve techniques course

Mei Line @ Buaisu, Part 1: advanced indigo dying and reserve techniques course

A 10 day training organised by @leafluberon in Tokushima, Japan, at the @Buaisou-i workshop. An eagerly anticipated trip which went way ahead of my expectations. Filled with people passionate about indigo, natural dying practices, sustainability, life and slow fashion; it was an experience I will treasure for the years to come! You can also find out more about this experience on the Mei Line instagram account @Mei.Line.Design @Buaisou-i is an indigo dyeing workshop and slow fashion creator but also an indigo farmer: the concept is « From farm to closet ». On top of the indigo dying and reserve techniques, we learned about the traditional Japanese indigo vat making named Aidate. We also visited several local workshops all rooted in local traditions but with a very modern edge that seriously…

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Un atelier avec Paul Jackson

Paul Jackson is a rockstar of the design world. Along with his wife he teaches origami techniques and their link to geometry from kindergarten to design students and has written several reference books on folding and pleated techniques. He presents himself as a paper artist, paper engineer, writer and teacher. We where very lucky to have him come and enlighten us about the technique as well as the math behind them, in a workshop at Couleur Garance, organised by the newly created LEAF Luberon Paul was so pleased with the association of Shibori and Origami, that he decided to give it a name: Shiborigami The concepts: The dying: Some maths…. Some folding Paul happy with the works at end of the week-end: Some of my creations over the…

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Arimatsu Shibori, de la tradition à l’innovation

Was very lucky to attend a workshop with Kuno Hiroaki organised by Couleur Garance. His enthusiasm about traditional indigo shibori and the way he envisions it’s transposition into a XXIe century sustainable and modern production is very inspiring. We trained in Te-Kumo shibori, and realised the unbelievable amount of work needed to create the patterns by this tying method onto a large (or long) piece of fabric… Kuno brought with him some very ancient textiles, some of them created with forgotten shibori techniques that made then real treasures! Endless inspiration…

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