Tag: indigo

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Indigo dyeing

In the world of natural dyes, indigo has a place on it’s own. Unlike other dyes, it does not need mordanting and can be applied to the fabric straight after scouring. However, it is still very labour intensive, and patience is still of essence here. The dye is applied by layers, dipping the fabric repetitively, and oxygenating it between the dips to allow the indigo blue to appear and intensify with every subsequent dip. One of the many things that we learned during our 10 day advanced course at Buaisou, in Japan, is to rinse and fix the indigo. It might sound like a simple thing, but careful manipulation of the fabric during those steps is paramount to the final effect. The rinsing process involves several cold and…

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Itajime shibori

Itajime shibori at Mei Line

Itajime shibori is another reserve technique used to create patterns. This time the fabric is folded and pressed between two pieces of wood. The folds, along with press placement, lead to a variety of patterns. I am always in awe with the magic of those geometric creations when unfolding the fabric, it’s the best time!! The fabric is carefully folded and clamped between two wood presses A number of dips in the indigo vat are necessary to obtain the required depth of colour. Between each dip, the fabric is patiently oxygenated by opening up each fold. It is then rinsed and the process is repeated After unfolding… Bliss! https://www.youtube.com/watch?v=Lj4QduRprUc

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Arashi shibori

Arashi shibori at Mei Line

The Arashi pattern is created by tying a piece of cloth very tightly around a cylinder and then crumpling down the fabric to form little creases. It is one of the numerous reserve techniques used in Japan grouped under the shibori term. The tradition was to use a very large bamboo section in Japan, but here, we make do with PVC tube. The fabric is dyed in the indigo vat, several bath separated by oxygenation and rinsing are necessary to achieve the desired tint. After the 3 days long process of rinsing and scouring, the fabric is put to dry. The word Arashi means lightning, but to me the pattern evokes water, with an infinity of ideas for it’s future use around the house and body.. https://www.youtube.com/watch?v=pzlLxugcTQ0

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Back from Tokushima

In Septembre 2019, along with a group of fellow natural dyers conducted by Leaf organisation (now Tinctoria), we had the incredible chance to attend a 10 day class at Buaisou where along with putting together a Sukumo based indigo vat, we also practised several traditional Japanese techniques to create patterns. The result of this, was over the next year, a mountain of cushions and table runners in many different patterns of indigo shibori. All photos are linked to their respective product or category

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Buaisou: advanced indigo dying and reserve techniques course

Mei Line @ Buaisu, Part 1: advanced indigo dying and reserve techniques course

A 10 day training organised by @leafluberon in Tokushima, Japan, at the @Buaisou-i workshop. An eagerly anticipated trip which went way ahead of my expectations. Filled with people passionate about indigo, natural dying practices, sustainability, life and slow fashion; it was an experience I will treasure for the years to come! You can also find out more about this experience on the Mei Line instagram account @Mei.Line.Design  @Buaisou-i is an indigo dyeing workshop and slow fashion creator but also an indigo farmer: the concept is “From farm to closet”. On top of the indigo dying and reserve techniques, we learned about the traditional Japanese indigo vat making named Aidate. We also visited several local workshops all rooted in local traditions but with a very modern edge that seriously…

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Arimatsu Shibori, from tradition to innovation

Was very lucky to attend a workshop with Kuno Hiroaki organised by Couleur Garance. His enthusiasm about traditional indigo shibori and the way he envisions it’s transposition into a XXIe century sustainable and modern production is very inspiring. We trained in Te-Kumo shibori, and realised the unbelievable amount of work needed to create the patterns by this tying method onto a large (or long) piece of fabric… Kuno brought with him some very ancient textiles, some of them created with forgotten shibori techniques that made then real treasures! Endless inspiration…

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